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We are looking for writers who, like us, love literature that doesn’t value, as Robert Stewart, the editor of New Letters, puts it: “cleverness, smugness, in-consequence.”
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After a 1960 film that won the Cannes Film Festival Jury Prize, Erin Lyndal Martin crafts a poem that engages the reader even though they could be lost in abstract, emotion-rich language.
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Maya Jewell Zeller has crafted a poem that fills the reader with a glimpse into a real moment that is living, crisp, and welling over with simplicity, perfection, and grit.
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